Corporate publications
The documents your reputation travels on.
- Annual reports and financial statements
- Magazines and in-house periodicals
- Newsletters
- Company profiles and capability brochures
Print that
feels as good
as it looks✱
Print is the one medium your client physically holds, which is exactly why cheap print does measurable damage. Colour that shifts, stock that feels thin, binding that cracks on the first open — all of it registers, even when nobody says it out loud. We produce the other kind.
/01
What's included.
BrandMarketing materials
High-volume runs without the quality drop that usually comes with them.
- Flyers, leaflets and inserts
- Brochures — folded, stitched or perfect bound
- Restaurant and café menus
- Invitations, certificates and presentation folders
Large format
Outdoor and event branding built to survive being seen from a distance.
- Flex and vinyl banners
- Roll-up standees and pull-up displays
- Event backdrops and stage branding
- Vehicle, window and wall graphics
Books & periodicals
Proper binding, proper stock, proper finish.
- Paperback and hardcover books
- Academic and institutional publications
- Journals, notebooks and diaries
- Reprints from existing artwork
/02
Who it's for.
Fit checkIf one of these sounds like your situation, this is the right page. If none of them do, say so on the call and we will point you at what you actually need — including at nobody, if that is the honest answer.
- Your last print run came back a different colour from the proof
- You need annual reports or a magazine done properly and on a fixed date
- You have artwork from another designer and just need it printed correctly
- You want design and print handled by one party who cannot pass the blame
/03
Stocks, finishes and binding
SpecificationMost print decisions are made badly because nobody explains the options. These are the choices that actually change how the finished piece feels — we will recommend a combination and price the alternatives.
Paper stock
- Matte and gloss art paper across weights
- Uncoated and textured stocks
- Board for covers, boxes and folders
- Weight recommended per piece — a brochure and a business card are not the same decision
Finishes
- Matte and gloss lamination
- Spot UV for selective shine
- Foil stamping — gold, silver, custom
- Embossing, debossing and die-cutting
Binding
- Saddle stitch for lower page counts
- Perfect binding for reports and books
- Hardcover and case binding
- Wire-O and spiral for anything that must lie flat
Colour & files
- CMYK process, with Pantone spot colours where brand accuracy demands it
- Print-ready file check before anything goes on press
- Bleed, trim and imposition verified
- Proof approved before the full run
/04
How it runs.
Four stepsSpecify
What it is, how many, what date. We come back with stock, finish and binding options against a fixed price for each.
Prepare
Artwork checked or created — bleed, colour mode, resolution, imposition. This is the step that prevents the expensive surprise.
Proof
You approve a proof before the run. Nothing goes to press on a verbal yes.
Produce & deliver
Full run, quality-checked against the approved proof, packed and delivered on the committed date.
/05
Straight answers.
FAQYes, and it is a normal request. We run a pre-press check first — bleed, colour mode, resolution, fonts, trim — and tell you exactly what needs fixing before we quote the run. Small corrections are usually included; if the file needs rebuilding we say so rather than printing something that will disappoint you.
It depends on the process. Digital printing is economical from small quantities, which suits business cards, short-run brochures and prototypes. Offset only makes sense above a threshold but gets dramatically cheaper per piece past it. Tell us your quantity and we will quote whichever process is genuinely cheaper for it.
Straightforward digital jobs typically turn around in a few working days. Offset runs, special finishes like foiling or spot UV, and bound books need longer — the exact number is committed in the quote before you approve, because a print deadline is usually attached to an event that will not move.
Not exactly, and any printer who promises it is misleading you — screens emit light, paper reflects it. What we do is convert properly to CMYK, use Pantone spot colours where a brand colour must be exact, and get a proof in your hands before the full run so there are no surprises at delivery.
Yes — see commercial graphic designing. Doing both means the artwork is built for the press and finish it is actually going on, which is where most print problems start.
Tell us what you
need built.
Send a line about the project — scope, deadline, budget range if you have one. You will get a straight answer on what it takes, usually within 24 hours.